// architecture + scenography + research  







Summer Semester 2023

#designstudio #architecture #public space

INN_TERVALS >>

University of Innsbruck_Institute for Architecture



Winter Semester 2022-23

#seminar #architecture

SCENOGRAPHY AS SITUATED PRACTICE >>

University of Innsbruck_Institute for Architecture



September 2022

#workshop #urban #scenography

TOOLS FOR URBAN EXPLORATIONS >>

Vienna Architecture Summer School

with Matilde Igual Capdevila & Kollektiv Raumstation



Summer Semester 2022

#designstudio #architecture

PERFORMING >>

University of Innsbruck_Institute for Architecture
with Bettina Siegele



Winter Semester 2021-22

#seminar #architecture #film #space

cinematic language outside the cinema >>

University of Innsbruck_Institute for Architecture



Summer Semester 2021

#designstudio #architecture

GOODBYE TO LANGUAGE >>

University of Innsbruck_Institute for Architecture

with Prof. Bart Lootsma



Winter Semester 2020-21

#seminar #architecture #scenography

OUT OF SCALE >>

University of Innsbruck_Institute for Architecture



Winter Semester 2020-21

#designstudio #architecture #modelmaking

ARCHICOMICALS >>

University of Innsbruck_Institute for Architecture
with Bettina Siegele & Giacomo Pala



Winter Semester 2020-21

#worskhop #urban #scenography

CITY FICTIONS >>

Social Design Studio_dieAngewndte
with Matilde Igual Capdevila



Summer Semester 2020

#design studio #architecture

A JOURNEY AROUND MY ROOM >>

University of Innsbruck_Institute for Architecture

with Prof. Bart Lootsma & Melanie van der Hoorn












Brief:

Inspired by Peter Greenaway’s multimedia installations and his  
exploration with the relationship between digital and physical spaces, this seminar will explore the multiple crossings between cinematic vision and architectural theory.

“I have always been fascinated about the possibilities of an expanded metacinema that borrows much from the way paintings are perceived...In the contemporary exhibition all manner of sophisticated cultural languages can be succesfully integrated, making it a form of three-dimesional cinema, where the viewer can create his own time-frame of attention.” 1

Combining film screenings and round table discussions throughout the semester, we take a closer look into films that are strongly related to architecture, design and transformation of space, as well as the work of architects and artists who have embedded their practice in various cultures of the moving image.

Our reflection on the filmic sources will include selected readings on film and media theory, architecture, urbanism, sociology and art history. As an outcome the students will present a critical reflection in a written essay, advancing an argument on one of the themes of the seminar: materiality, scale, transformation, frame, properties.


1_ Peter Greenaway, Some Organizing Principles, Swansea, 1993.

Still: Coma, directed by Michael Crichton, 1978.